R&B vocalist and songwriter Adam Ness has released his debut full-length album, Sagittarius, Vol. 2. The album's lead single features the assistance of Durand Bernarr and called "Houzkatz".

Shy Niko has released his fourth single of 2021, "Icy Girl". This is catchy and quotable Pop with just enough attitude and weirdness to make it immediately compelling.

This past weekend Fiona Silver released her latest single (most of the profiles written to date about the native-New-Yorker-turned-bottle-blond-R&B-and-soul-belter refer to her as a “spitfire” so I’m going to resist that trend oh whoops..) and it’s another corker, a contemporary throwback closing-credits-ready mood piece with some seriously soulful feels (the track was recorded in Atlanta with Randy Michael as co-writer and producer) that’s something like a classic girl group number sans the girl group and it's very appropriately titled “Swoon.”

And by feels I mean it’s an aching atmospheric ballad full of gently caressed drums, shivering strings, mellow groove low end, mournful organ chords, and crying electric guitar (dig that heavy reverb and tremolo not to mention the subtle yet sublime note bends in the solo). And that’s even leaving out the classic-Americana-high-lonesome-style-whistling towards the end, all of which echoes the lyrical content about “deep black skies” and “cry[ing] lovebirds” and the like. And in the chorus, when Ms. Silver reveals that “everyday / from midnight to noon / autumn to June / you make my heart swoon,” not only do you actually believe it but you also feel it because this song is a straight-up declaration of lovesick blues that’s more along the lines of Hank Williams than Doris Day when it comes to coping with the blues (tho' the latter could get a bit emo when she was down for it).

And hell, I’m down for it. In fact I’m sincerely hoping that “Swoon” is the first advance single from an album (or an EP, I'll even take an EP) to be titled Staring Pensively Into Your Whiskey Tumbler While Thinking About What Could Have Been, Or What Still Might Be, Against All Odds, Because You’re A Hopeless Dreamer That Way. Because who couldn’t use an album by that title right now or any time really...

…which is precisely why artists like Fiona Silver (or Lou Ann Barton, or Bettye LaVette, or...maybe just check out Brooklyn-based Dala Records' roster for more contemporary examples) are still necessary in this world, artists who write songs for cutting a rug at the juke joint on a Saturday night and songs for chain smoking Lucky Strikes alone at the kitchen table on a Sunday morning, songs that evoke and update the universal sentiments of dance-ready R&B and good time rock ’n’ roll and gutbucket blooz for modern types who're still cool for cats. (Jason Lee)

photo credit: Michael Lavine; HMUA: Paige Campbell 

Tasha has released the latest single, "Bed Song 1", from her forthcoming album, Tell Me What You Miss The Most, which is due out on November 5th via Father/Daughter Records.

When asked about "Bed Song 1" Tasha had this to say, “This is one of the first songs I wrote from the album, and came to encompass many of the feelings that I go on to continue exploring throughout the rest of the songs. It ties in some themes from the last record (solitude, bed time) while also revealing a new type of sadness and aching not often explored in my songwriting. It is a song about love ending, and wanting to linger in the imagining of it at its best, its warmest, and its most tender, while you try to let it go. It’s about reminiscing before the end has even come, relinquishing your heart so as to keep the sadness away just a little longer.”

You can catch Tasha at Sleeping Village on November 13th and November 20th.