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The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!





Beshken & CLAVVS to play Day 2 of Austin Pedal & Synth Expo Showcase, 03.16

FREE Eventm RSVP here! Info about Day One here!

For our upcoming Austin Pedal & Synth Expo Showcase, we are excited to get to feature the music of a couple of NYC locals. The electronic music Beshken makes is meditative and complex, weaving between digital and acoustic instruments with dreamlike results. His latest track, “Cursed”, picks its way between honey smooth synths and dissonant vocal effects, reflecting on the mental revolutions between sleep and insomnia. On the other end, while their lyrics too reflect on sleepless thoughts, the music of CLAVVS is rather lucid. The production on their most recent single “Devils I Know” places the vocals at the forefront of a hypnotic and unexpectedly baroque electronic backdrop. The Expo will be held on March 16th at the Chugging Monkey - listen to CLAVVS, Beshken and the other artists who will appear below. - Sunny Betz 





Haulm craft brooding, minimal synthpop on "Posture," play SXSW

Posture, the sophomore EP by Brooklyn's atmospheric synthpop duo Haulm, features an aged desert landscape contained within a thick white border. It’s a perfect fit for the brooding, dark, and spartan work laid down over the release’s five tracks; one can almost picture an unknown beast slouching from the sandy landscape against the dissonant keys of Reed Kackley, as JT Norton’s distant, almost fugue-state vocals weaves in and out. It’s an EP oozing with atmosphere that’s curated using relatively few musical elements, and speaks volumes to Haulm’s penchant for fine tuning sparse synths and the human voice into engaging, mysterious soundscapes.

You can catch Haulm at SXSW on March 12th and 15th - until then, stream Posture below. -Connor Beckett McInerney (@b_ck_tt)





Get Lost in the Apathy of Soft Kill

Punishing isn’t the first word you’d think to describe Soft Kill, an official SXSW artist, but the more their gothic barrages of post-punk and shoegaze pummel into you, the apter the label becomes. On Savior, the Portland-based outfit buries most of their synthesizers into a thundering vessel of fuzz and shadowy guitars. Like streetlights quickly appearing and vanishing again as you drive past them, moments of joy appear only to get smothered in a wave of rumbling toms and a peal of crashing cymbals. It’s a relentless hail of gloom and doom, something akin to The Cure without reveling in any of the performative aesthetics of goth music; Soft Kill is purely here for the raw ennui.

-By Tucker Pennington

 

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altopalo on the cover of Issue #56 of The Deli NYC - now out digitally!

Hola, peoples into emerging music!

The winter issue of The Deli NYC (our 56th!) is now up on the cloud (HERE), featuring glitch-soul luminaries altopalo on its cover!

The issue also tackles the current shift of everything cool from Brooklyn to Queens, and - as usual - highlights many local bands we dig (and their favorite gear).

There's also a special about the NAMM show, which we will participate in with our own Stompbox Booth featuring tons of emerging pedal manufacturers!

Fresh Buzz and NYC Records of the Month sections are never skipped!

Look out for the print version, out at the end of the month.

The Folks at The Deli

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